Personally, the song “Hopeless Wanderer” is easily my favorite song on the record. Lyrically, Mumford create yet another record that is both relatable and thought provoking.
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The group knows how to draw you in when they are at their quietest, and at their loudest, and it’s that dynamic that keeps you interested throughout the entirety of the record. Songs like “I Will Wait” and “Ghosts That We Knew” are both equally gripping despite their tonal differences, and I think that’s one of the best parts about Babel, and Mumford and Sons, in general. It’s honestly one of those records that you truly can get engrossed in. Babel takes you on an emotional journey of lost love, found love, and finding who you are. Mumford and Sons put together twelve tracks (fifteen if you’re including the bonus tracks) that are all fantastic by themselves, but more beautiful once put together.
For whatever reason, bands have been putting out albums that consist of only ten songs, and even in that short number of tracks all of the songs don’t necessarily work. The aspect I love the most about Babel is the fact that it works so well as an album.
Babel is the perfect follow-up to Sigh No More, and solidifies me as a fan without any doubts in my mind. I was a little nervous when I was given Babel, because frankly I didn’t think anything could compare to their debut full length. It was so big, it was so soothing, and I couldn’t get over the way it made me smile while giving me the chills at the same time. Mumford and Sons’ album Sigh No More blew me away the first time that I heard it. While the majority of the time this is very true, there are a lot of other genres that I may not be as knowledgeable about, but affect me in very powerful ways. However one of the things that comes with liking that type of music is that people generally think that you only listen to that style of music. They are my favorite genres, and they always will be. If you look at my history of reviews, I listen to a lot of punk and hardcore music.
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